The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln's Ghost (Paperback)
In the early days of photography, in the death-strewn wake of the Civil War, one man seized America’s imagination. A “spirit photographer,” William Mumler, took portrait photographs that featured the ghostly presence of lost loved ones alongside his living subjects. At a time when artists like Mathew Brady were remaking American culture with their cameras, Mumler was a sensation: the affluent and influential came calling, including Mary Todd Lincoln.
It took a circuslike trial of Mumler on fraud charges, starring P. T. Barnum for the prosecution, to expose a fault line of doubt and manipulation. And even then, the judge’s stunning verdict suggested no one would ever solve the mystery of how Mumler did it. This forgotten puzzle offers a vivid snapshot of America at a crossroads in its history, a nation in thrall to new technology while grasping desperately for something to believe in.
Praise for The Apparitionists A New York Times Book Review Editors' Choice A Publishers Weekly Top 10 Book of 2017 "In The Apparitionists, Peter Manseau takes us on an expedition through the beginnings of photography and its deceptions... Manseau has created an exceptional story of how photography intersects with the hope that some heretofore unexplored scientific process will reveal something about the nature of man and our limitations."—Errol Morris, The New York Times Book Review "A sensitive, insightful history."—The New Yorker "Mr. Manseau develops these threads so that The Apparitionists itself is like a photograph—each successive chapter adding depth and shade and specks of mystery, until the final result magically appears, provoking as many questions as it provides answers."—Wall Street Journal “Given that the path loops through the Civil War, the telegraph, P.T. Barnum, spiritualism and a trained seal, it's impressive that The Apparitionists is as brisk a read as it is. The tone is knowledgeable, but the touch is light; technology is deftly explained, figures who have been gone too long are always briefly reintroduced, and Manseau is happy to reassure you you're reading a history. (Of two warring photographers, he notes that, unfortunately, ‘Mortal partnerships are always only temporary.’)”—NPR "The Apparitionists is breezy, clever, and exuberant."—Harper’s Magazine "Wide-ranging and thought-provoking... In our age of digital manipulation, it is more important than ever to scrutinize every photograph, whether or not they contain ghosts."—San Francisco Chronicle “Written like a novel but researched with academic rigor, this account of a photographer whose work seemed to incorporate images from the spirit realm stops short of either endorsing the veracity of the photographer's claim or debunking his work as a scam...A well-paced nonfiction work that reads more like a historical novel than an academic study..” —Kirkus “In this meticulously researched study of America’s dalliance with spiritualism in the 19th century...Manseau provides comprehensive context for his chronicle of Mumler, placing him at the intersection of the Spiritualist movement and the rise of the photographic art, and in the context of the Civil War, which acquainted Americans with death on an unprecedented scale.—Publishers Weekly, starred review “More than just a fraud, William Mumler was a pioneer in the new art of photography—a striking technology that not only offered new levels of immediacy but also immediately offered itself up to manipulation, provoking questions of authenticity even as its uncanny effects offered a tantalizing vision of the unknown. He was a huckster, but like all successful hucksters, he was a perfect reflection of his time. Peter Manseau's The Apparitionists recreates Mumler's life with a scholar's poise and a storyteller's grace, offering an enduring portrait of the nineteenth century through one of its most unlikely figures.” —Colin Dickey, author of Ghostland: An American History in Haunted Places “Manseau has become the foremost chronicler of the deep American desire to believe in the weird, the strange, and oddly wonderful. His l —