Narrative Bonds: Multiple Narrators in the Victorian Novel (THEORY INTERPRETATION NARRATIV) (Hardcover)
While narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. Narrative Bonds: Multiple Narrators in the Victorian Novel focuses on the centrality of these elements and address the proliferation of multiple narrators in Victorian novels. In Narrative Bonds, Alexandra Valint explores the ways in which the Victorian multi-narrator form moves toward the unity of vision across characters and provides inclusivity in an era of expanding democratic rights and a growing middle class. Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multi-narrator structure in Victorian novels.
Alexandra Valint is Associate Professor in the English Program at the University of Southern Mississippi at the University of Southern Mississippi.
“Narrative Bonds makes the compelling case that the multi-narrator novel is a distinct animal … [It] also importantly turns our critical attention to the importance of forms besides omniscient narration, [offering] a disruptive counterpoint to omniscient narration’s encompassing vision.” —Shalyn Claggett, Nineteenth-Century Contexts
“This engaging study of Victorian multi-plot novels makes a compelling argument that, despite the seemingly distinct and potentially disjunctive narrative voices that tell a story, those perspectives cohere in a single worldview, one that points to the middle class’s acquisition of cultural and political power and the period’s gradual movement toward a more democratic state. Valint’s book will be welcomed not only by scholars of Victorian literature but also by those interested more broadly in narrative theory.” —Elizabeth Langland, author of Telling Tales: Gender and Narrative Form in Victorian Literature and Culture
“This engaging study of Victorian multi-plot novels makes a compelling argument that, despite the seemingly distinct and potentially disjunctive narrative voices that tell a story, those perspectives cohere in a single worldview, one that points to the middle class’s acquisition of cultural and political power and the period’s gradual movement toward a more democratic state. Valint’s book will be welcomed not only by scholars of Victorian literature but also by those interested more broadly in narrative theory.” —Elizabeth Langland, author of Telling Tales: Gender and Narrative Form in Victorian Literature and Culture