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Zora and Langston. Billie and Bessie. Eubie and Duke. If the Harlem Renaissance had a court, they were its kings and queens. But there were other, lesser known individuals whose contributions were just as impactful, such as Florence Mills. Born to parents who were former-slaves Florence knew early on that she loved to sing. And that people really responded to her sweet, bird-like voice. Her dancing and singing catapulted her all the way to the stages of 1920s Broadway where she inspired songs and even entire plays! Yet with all this success, she knew firsthand how bigotry shaped her world. And when she was offered the role of a lifetime from Ziegfeld himself, she chose to support all-black musicals instead.
Fans of When Marian Sang and Ella Fitzgerald: The Tale of a Vocal Virtuosa will jump at the chance to discover another talented performer whose voice transcended and transformed the circumstances society placed on her.
About the Author
RENÉE WATSON has worked as a teaching-artist for more than 10 years, teaching creative writing and theater to elementary, middle, and high school students. She also uses writing and drama therapy to work with youth and adults. Renée lives in New York, NY.
Praise for Harlem's Little Blackbird…
Starred Review, Booklist, June 2012:
“With a text that stylistically sings yet is packed with information, the book introduces a woman who, though part of the Harlem Renaissance, is not well remembered by history.”