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The Strain (Mass Market Paperback)
Not currently shipping from publisher – Subject to future availability
Indie Next ListJune 2009
The Strain begins with a newly landed plane stopping dead on the runway. When the rescue crews arrive, they discover that all the passengers and crew are dead in their seats, with their necks cut and their bodies devoid of blood. This utterly original novel is absolutely fantastic and like no vampire novel I've read. You will love it! -- Jon Tobin, Saturn Booksellers, Gaylord, MI
In one week, Manhattan will be gone.
In one month, the country. In two months . . . the world.
At New York's JFK Airport an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane . . . and what he finds makes his blood run cold.
A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like an all-consuming wildfirelethal, merciless, hungry . . . vampiric.
And in a pawnshop in Spanish Harlem an aged Holocaust survivor knows that the war he has been dreading his entire life is finally here . . .
About the Author
Born in Guadalajara, Mexico, Guillermo del Toro is the director of the films Cronos, Mimic, The Devil's Backbone, Blade II, Hellboy I, Hellboy II, and Pan's Labyrinth, which garnered enormous critical praise worldwide and won three Academy Awards.
Praise for The Strain…
“[One of] the most original and powerful filmmakers working today.”
-The Hollywood Reporter
“His distinctive creatures and otherwordly parables use the realms of fantasy to explore fundamental human issues such as love, alienation, weakness and, of course, fear… [He is] a master of monsters.”
“A cinematic magician who has never lost his childlike sense of wonder.”
-Peter Jackson and Fran Walsh in Associated Press
“[An] amazing writer and director. . . . Pan’s Labyrinth places Mr. del Toro in the first rank of world filmmakers.”
-New York Times
“He elevated gothic horror to art. . . . Bilingual, bicultural, multigenre, he has a voice that feels both fresh and ancient.”